What’s Be Happen? The discourse of reggae lyrics thirty years on
DOI:
https://doi.org/10.11157/sites-vol9iss2id184Keywords:
song lyrics, social commentary, reggaeAbstract
This article discusses Whats’ Be Happen, New Zealand’s first reggae album, which was released by the band Herbs in July 1981. The lyrics and adopted ‘message music’ constitute a nexus that connects, marks and speaks of salient political events and social issues in the 1970s and early 1980s. These divided New Zealand society at the time, and have helped shape opinion and New Zealanders’ sense of their identity. The lyrics refer in particular to protests against the loss of Māori ancestral lands; the struggle to end apartheid in South Africa; the conflict between loss of Pacific Island identity and roots, and material ambitions in New Zealand, as well as the day to day experiences and police treatment of urban Māori and Pacific Island people.Downloads
Published
31-12-2012
Issue
Section
Articles
License
Copyright © in this published form is held by Sites: New Series, Association of Social Anthropologists of Aotearoa New Zealand, ALL RIGHTS RESERVED. Individual readers and non-profit libraries acting for them, are permitted to print or download a single copy of an article without charge for use in research or teaching. Permitted use includes providing a link to an article, or hosting a PDF article in online Learning Management Systems or E-Reserve Systems for authorised users. A single article may be used in print or online Course Packs. Interlibrary loan is permitted. New Zealand Copyright Law and Copyright Licensing New Zealand Education Licence provisions apply. This consent does not extend to other kinds of copying, such as copying for general distribution, for advertising or promotional purposes, for creating new collective works or for resale. For such uses, written permission is required. Write to the Editor: sites@otago.ac.nzHow to Cite
What’s Be Happen? The discourse of reggae lyrics thirty years on. (2012). Sites: A Journal of Social Anthropology and Cultural Studies, 9(2), 23-38. https://doi.org/10.11157/sites-vol9iss2id184